If he had uploaded country music, he would have come out like that. It's an alien who uploaded information from the Internet and put together the conglomeration and formed this cadence, way of speaking and body language that was accumulated over X amount of years of information and that's what came out. Wilson defends the characters as wannabe gangsters who learned about human culture by downloading data from the internet. That one mounts a thin defense for the characters by quoting voice actor Wilson, who performed as Mudflap. THR has their take, and AP has run a piece in outlets like USA Today. The characters have quickly caused a stir outside the blog world. The buck-toothed human character appears in only a couple of shots, and really seems to have only one purpose: to provide a reference point for Skids and Mudflap as racist caricatures. He doesn't seem to serve any purpose aside from completing a suite of racial and cultural stereotypes that in addition to the wildly racist Jewish deli includes French mimes, a Parisian restaurant that serves snails and a noodle-eating old Chinese man. What no one has yet addressed, however, is the buck-toothed black human character that appears in an equally stereotypical Jewish deli halfway through the film. If anything, it just shows you that we don't control every aspect of the movie. We were very surprised when we saw it, too, and it's a choice that was made. I think that would be very foolish, and if someone wants to be offended by it, it's their right. Kurtzman: It's really hard for us to sit here and try to justify it.
Yes, the gold tooth was not in the script, that's true. The gold tooth was Bay's idea, they confirm, and they're embarrassed by the stereotypical caricature: Now Film School Rejects has Kurtzman and Orci talking more candidly about the two robots and their feelings about how they ended up in the final cut. When you're doing character animation and you're building the character, it's not like an actor where you shoot the scene and you've got it and you move on. We liked their improv and, from there, we would animate to their stuff. When you work with voice actors, especially with the twins, they did a lot of improv for their parts. But his follow-up put all the blame on his voice actors:
Our job was to keep up with him.īay explained that he designed the characters to appeal to kids they're certainly more overtly cartoonish and broad than anything else in the already broad movie. Those characters, more than any other, he had the strongest instinct for. I think a lot of what we did was following Michael's lead.
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